Didi Lehnhausen is a visual artist based in Amsterdam (NL) who works with paintings, prints, installations, and performances. Her practice navigates the boundaries of traditional mediums—darkroom printing, batik, and painting—reshaping them into alternative methods that respond to environment, body, and matter.

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Working on large surfaces of paper, canvas, and fabric, she works in a ritualistic way, allowing the environment and the presence of people and animals to influence and mark her pieces. Each work goes through a series of ‘treatments’—layering, washing, and manipulation—that transform raw materials into charged surfaces.

During her studies at the Gerrit Rietveld Academy (where she was awarded the Fine Arts Prize for best graduate in 2016), she began exploring imagery from Indonesian history—connecting to her Dutch-Indonesian heritage. She developed a distinctive method of making large-scale darkroom prints. This led to her ten-meter-long prints Ten Meters of Evidence, shown at the Neu/Now festival and Art Basel in 2018. These prints brought her to Yogyakarta, where she collaborated with Ruang MES 56 on darkroom performances—painting live on light-sensitive paper—culminating in the exhibition Paper Spirits / Soil Mates at Nieuw Dakota, Amsterdam. A subsequent collaboration with a batik workshop near Yogyakarta allowed her to translate these methods to fabric, resulting in the installation Eleven Spells and her presentation We Don't Wear Long Dresses When We Work at Project Space Plan B. A move to Italy in 2023 gave her access to centuries of religious painting traditions and craftsmanship, inspiring a new body of work on raw canvas using rituals similar to her batik and darkroom techniques. Currently she is working on installations of darkroom prints and paintings in dialogue with each other.

Her images emerge from shadowy places and histories—painful legacies woven into blood, the discomfort of functioning within dysfunctional systems, and the complexity of everyday life. Through layered transformations, she explores how ritual, material, and story merge—challenging linear perceptions of time and process, shaping ever-transforming embodied forms.


CV

Education
2012-2016 – BFA, Gerrit Rietveld Academy, Amsterdam.                                                    Awarded the Fine Arts Prize for best graduate.

Residencies
2022 – Two-month residency at Temple, Amsterdam NL  
2021 – Artist in Residence at The Grand, Amsterdam, NL
2019-2020 – Six-month residency, Batik Leksa Ganesha, Yogyakarta, ID
2019 – Three-month residency, Ruang MES 56, Yogyakarta, ID
2018 – Two-month residency, AGA Lab, Amsterdam, NL
2018 – One-month residency, Studio Kura, Itoshima, JP
2017 – One-month residency, Transfer International Ruhr, DE
2015 – One-month residency at Urbane Kunste Ruhr, DE                             2015 – One-month residency at DordtYart, Dordrecht, NL

Exhibitions
2024 – Drops of a Mountain, open studio at Piazza Romboni, Lucca, Italy
2023 – BIG ART at the Bijlmer Bajes, Amsterdam, NL
2022 – ANGELS ARE ALIENS TOO, residency and exhibition at Temple Amsterdam, NL
2022 – AIR at The Grand, exhibition and auction by Christie’s, Amsterdam, NL
2020 – We Don’t Wear Long Dresses When We Work, Mertens Frames Project Space by Plan B, Amsterdam, NL
2019 – PAPER SPIRITS / SOIL MATES, Nieuw Dakota, Amsterdam, NL
2019 – Paper Traces, Ruang MES 56, Yogyakarta, ID
2019 – Prospects & Concepts, Art Rotterdam, NL
2018 – NEU/NOW Festival at Art Basel, Basel, CH
2018 – For Reasons Yet Unknown, Studio Kura, Itoshima, JP
2017 – KEEP IN TOUCH, Kunstliedering Halfmannshof, Gelsenkirchen, DE
2017 – NEU/NOW Festival, Amsterdam, NL
2017 – Making Waves, Nieuw Dakota, Amsterdam, NL
2017 – Matter of Time, De Cacaofabriek, Helmond, NL
2016 – Hesitation, Lumen Travo Gallery, Amsterdam, NL
2016 – Ernstig Geschikt, Studio Omstand, Arnhem, NL
2016 – Rietveld UNCUT, De Brakke Grond, Amsterdam, NL
2015 – Rietveld Mobility, Urbane Kunste Ruhr, DE
2015 – Performing a Trace, DordtYart, Dordrecht, NL

Publications
2023 – Ancient Eyes With Purple Glasses, artist book, edition of 40
2021 – Brief aan Karel, edition of 35

Screenings
2020 – Online screening and talk, Tempat Kerja, presented by Projectspace Plan B
2020 – Away to Home, supported by AFK
2019 – Screening & performance at symposium Existentie en Zingeving in de GGZ in   collaboration with Professor Jim van Os
2018 – Screening & performance, Art Rotterdam in collaboration with Professor Jim van Os

Stipends & Funding
2023 – AFK Stipend
2020 – Project funding, AFK
2019 – Project funding, AFK
2018 – Mondriaan Fonds Young Talent Stipend



TEMPAT KERJA
Filmscreening 2020
1 hour film

Part of the exhibition “We don’t wear long dresses when we work” was the film Tempat Kerja, both presented in the space and in an online screening and artist-talk. 

PAPER TRACES
Exhibition 2019
 An exhibition and performance at the artist collective RUANG MES 56 after a two-month residency. Working together with the artist collective part of the process was going through historical negatives and found picture albums on fleemarkets. Since 2016, these darkroom paintings have evolved as choreographed works, combining video projections, enlarged negatives, objects, and body movements on light-sensitive paper. Months of preparation culminate in a fleeting process lasting only minutes, where each gesture is calibrated to guide the images onto the paper’s surface. While collaborating with the artist collective Ruang MES 56, this ritual was opened to the public, allowing viewers to witness the images emerge within the dim red light of the darkroom. 

AWAY TO HOME
Film project 2020
Seven filmclips, 30 minutes in total
Questions of belonging and place are sounding through the monologue accompanied by the seeking tones of a guitar. The guitar compositions are in order by key A, B, C, D, E, F, G composed by Jeske de Blauw. The video-messages were send during lockdown through social media channels.

TEN METERS OF EVIDENCE: THE CHOREOGRAPHY 
 Live Act 2017
 A choreography in the dark room using negatives, objects, fluids and filmprojections to expose 10 meters of light sensitive paper. The performative act was carried out three times in the Amsterdam Studio’s, a total of 30 meters of print was made in the process

VIDEO-ESSAYS ON LIMITS OF THE MIND
 Film-screening 2019
 A lecture/screening with three 10-minute-long video’s, presented within a conversation between Prof. Dr. Jim van Os and Didi Lehnhausen. Each video-essay explores another visual experience. During the talk van Os and Lehnhausen discuss psychoses as a human experience and how it is perveived and treated in western medicine The first lecture and screening was presented at Prospects & Concepts during Art Rotterdam. The sequal was presented on a symposium of the GGZ about psychological suffering.